WHAT IS AN Archetype?

In recent postings we have been coming to see Brigid as an expression, an embodiment, of the Sacred feminine, an archetype of those energies, qualities that we associate with the womanly face of the divine. But what is an archetype and how might our relationship with one or more both enhance and enchant our lives? How might they also work with us and through us towards the healing of life around our suffering planet? Jean Houston’s luminous writings on Archetypes provide answers to both these questions.  

Jean Houston

THE NATURE OF ARCHETYPES

I have had hundreds of research subjects in altered states of consciousness and many thousands of participants in my seminars describe adventures of the soul so grand, so mythic, and yet so redolent of universal themes, that I can readily testify to the existence of a collective pool of myth and archetype residing in each human being as part of his or her natural equipment.

This joining of local life to great life is a central experience of what I call “sacred psychology.” It differs from ordinary psychology in that it provides ways of moving from outmoded existence to an amplified life that is at once more cherished and more cherishing. It requires that we undertake the extraordinary task of dying to our current, local selves and of being reborn to our eternal selves. When we descend into the forgotten knowings of earlier or deeper phases of our existence, we often find hidden potentials, the unfulfilled and unfinished seedings of what we still contain, which myth often disguises as secret helpers or mighty talismans.

Our ancestors saw them in the heavens, prayed to them as Mother Earth, Father Ocean, Sister Wind

Myths have such power because they are full of archetypes. Archetypes are many things–primal forms, codings of the deep unconscious, constellations of psychic energy, patterns of relationship. Our ancestors saw them in the heavens, prayed to them as Mother Earth, Father Ocean, Sister Wind. They were the great relatives from whom we derived, and they gave us not only our existence, but also prompted our stories, elicited our moral order. Later, they became personified in mythic characters and their stories–the contending brothers, the holy child, the search for the beloved, the heroic journey.

archetypes give us…the gossamer bridge that joins spirit with nature mind with body, and self with the… universe

As major organs of the psyche, archetypes give us our essential connections, and without them we would lose the gossamer bridge that joins spirit with nature, mind with body, and self with the metabody of the universe. Archetypes are organs of Essence, the cosmic blueprints of How It All Works.

Because they contain so much, archetypes bewilder analysis and perhaps can only be known by direct experience. Thus, in the journey of transformation, as we participate in these symbolic dramas, we actively engage in archetypal existence. For not only do we form a powerful sense of identity with the archetypal character, but this mythic being becomes an aspect of ourselves writ large, and symbolic happenings appear with undisguised relevance, not only for our own lives and problems, but for the remaking of society as well.

Working with myth and archetype, we discover that we are characters in the drama of the Anima Mundi, the Soul of the World. In this discovery we push the boundaries of our own human story and gain the courage to live mythically ourselves and to help heal our world.

A psychology with a mythic or sacred base demands that we have the courage both to release old toxicities and diminishments and to gain access to our inner storehouse of capacities and use them to prepare ourselves for the greater agenda–becoming an instrument through which the source may play its great music. Then, like the hero or heroine of myth, we may, regardless of our circumstances, become an inspiration for helping culture and consciousness move towards its next level of possibility.

this dream demands that we live out of our true essence

 At this we startle, we shake. The scope of this dream demands that we live out of our true essence, which is always too large for our local contracted consciousness to contain. I find that it requires many mythic adventures of the soul to reloom body and mind. But such is necessary if we are to return to everyday life with knowledge gained in the depths that can be put to use to redeem the “unread vision of the higher dream” inherent in both self and society.  

Archetypes are shared constructs. We might think of them as greater Presences, which stand behind and inform the personal images of many individuals.

such timeless beings ask…to be regrown

Sometimes the archetypes manifest in their archaic forms as gods or goddesses or as legendary heroes or heroines of earlier cultures, but always such timeless beings ask to be seen in new and fresh ways–they ask to be regrown. Whenever they move into our awareness, both personally and collectively, archetypes and the old and new stories that they bring with them announce a time of change and deepening. I deeply believe that such is happening all over the globe. Because I travel so much, I have occasion to witness firsthand the changing of the archetypes as society changes.

as we grow the “gods”, the “gods” grow us


The individuation of the numinous finds a new turn as people everywhere are learning to live their larger stories and tap into the necessary spiritual DNA to become archetypal. A Buddhist statement expresses wonderfully well what it means to live archetypally. In this state, one sees all beings as Buddha, hears all sounds as mantra, and knows all places as nirvana. To me this means that  moment has its magic, every action however small is stellar in its consequences (“stir a flower and bestir a star”), and each word that one speaks is creation.


The enhancement goes both ways, for as we grow the “gods”, the “gods” grow us.
How do we grow these so-called gods? Perhaps it is by pursuing a conscious partnership with an archetype or psychospiritual power that has the same kinds of qualities as ourselves, as Athena was the natural partner of Odysseus. In living and working with these mutual qualities as gracefully as one can, humans help to individuate and extend the essence of the archetype in the world. The archetypes do not need to be met as old dependencies. They need to be met as co-partners.

Image of the Goddess Athena by Susan Seddon Boulet

What I am calling “Athena” may be the emerging archetypal orchestrator of my own inner crew of selves. Thus I do not become the archetype; rather, I allow her a more central role in my psychic development. As I experience it, this is neither inflation nor possession; it is a partnership that instructs, guides, inspires, as well as shedding light on the meaning and message of hard times– though without making them go away.

Seeking the Woman-God

Sophia Awakens for February 26, 2019

Where do you go looking when your soul longs for a Mothering God? Do you find her in poetry? in ancient stories? in songs or rituals or art or sacred dance? Do you look for wise and loving women who embody her? Do you seek her in your own wise and yearning heart?

February snowdrops in Ireland

Or would you go out to explore the earth around you, seeking her in the beauty of spring flowers, in the grace of a flowing stream, in the tender presence of young birds in a nest? Would you look in wild places where the sea explodes into the rock face, pummels the cliffs, shapes stone into forms that resemble an ancient wise woman, a cailleach….

A year after my return from the Brigid of Faughart Festival in Ireland, I am still processing the insights, inspiration and experiences of those days. It is not surprising that what I found was sourced in the lives, the words, the stories, the songs and poetry of the women I met there.

The Sacred Feminine is an embodied presence.

Yet of all that I learned, what stirs me most is the way that women spoke of seeking, finding and being found by the Sacred Feminine in the land: in her sea and shore, her grass and trees, her wells and rivers, her mountains and ancient stones, her golden light and eerie darkness, her wild winds and gentle rains.

I am captivated by this new understanding.

To honour the feminine presence, Wisdom Sophia, is to honour the planet which embodies her. From earliest days, from the time even before the arrival of the Celts, the people of Ireland honoured the goddess, whose ancient names include Aine or Anu. She was the one whose eyes held the light of the stars, whose hair rippled like the corn, flowed like the waves of the sea, whose body was the great earth barrows, her breasts the hills, called “the Paps of Anu”.

Before this recent visit to Ireland, I had thought these descriptors were lovely metaphors, a poetic honouring of the sacred presence. On this journey I met women for whom the land, the sea, the rocks and rivers somehow embodied the goddess herself. This is not pantheism, making gods of nature, but rather panentheism, recognizing that the holy is present within all that lives, as Teilhard de Chardin understood and taught.

Snowbound for days in a never-ending winter, I sat by the fire reading Kate Fitzpatrick’s book. Kate spoke during the Brigid Festival of her years of workshops, story-telling and powerful shamanic healing rituals to help bring about peace in Northern Ireland. Her guide, counsellor and co-creative partner in this was Macha, the mythical Ulster Goddess.

In her book, Macha’s Twins: A Spiritual Journey with the Celtic Horse Goddess, (Immram Publishing, Inishowen, Donegal, Ireland 2017), Kate describes encounters with Macha, mediated by the land and sea. While living on Inis M`or off the west coast of Ireland near Galway, Kate writes:

“I am exhilarated with the vital power of this island. The shifting clouds, the showers of rain. What I love about it is the changing light in each hour of the day. The land is bleak and barren. Yet the play of light makes it so beautiful.

Site of ancient fort of Dun Aengus, Inis M`or, Ireland

“I begin to see that Macha is the Wild Mother here. Every day in the raw vitality of wind and rain and sea I find her. Like her wild spirit, all here is dynamic and powerful. Restless and free. Seeping right into my bones. I move through autumn and winter beckoned by this force. Every day I see more of the power of the feminine in the sea, the waves, and the rock.” (p. 67)

In the years that follow, Kate experiences a call to return home to Northern Ireland, to assist the Sacred Feminine presence in the work of bringing healing and peace to the soul of Ulster.

“By early June, it is becoming clear to me that the rocks, trees, stones and rivers, along with the elements and the sheer beauty of this glen, have, together, become an alchemical vessel to hold a wider healing of the soul of Ulster.

“The sea, as I look out at it this morning, is playing its part in the offering of light, the blue of its holding, the high vibration of its silver water, the wildness of its dance. There is a fierce power of transformation in the rolling waves. (p. 169)

Kate tells of knowing Macha’s presence with her:

“I breathe deeply as she shows me pictures of the town in County Antrim where I grew up in the 1960’s. ‘There are many towns in the North that need healing,’ Macha tells me. ‘This is a journey to bring the heart home, to bring back the kindness lost to everyone in the shadows of war. For you, Daughter, concern yourself only with this.’ (p.169)

Kate’s work, with the support of other women, led to a tangible presence of light and peace in the land. Two decades after her time on Inis M`or, Kate knew that “the old patterns are going now and light is coming in, bringing forgiveness, beauty and joy”.

Then she describes this experience:

“I sense a presence in the middle of the strand and when I look over, I see Macha walking in the shallow waters of puddles left on the sand. I see her bend down to pick up shells. As I walk towards her, she looks up, sees me and smiles….I sigh a deep breath and run towards her, power seeping into me from the very sand itself. As I approach her, she straightens up and, still holding the shells, opens her arms to welcome me. Her holding is of the ages. In the warmth and strength of her embrace, I weep.” (pp. 237-8)

Signed copies of Macha’s Twins, A Spiritual Journey with the Celtic Horse Goddess are available from: Little Acorns Bookstore, Derry, N Ireland. Available to order online and will deliver internationally. Please send an e mail to: littleacornsbookstore@yahoo.co.uk

Cosmic Brigid Encore: Three

Outside the Solas Bhride Centre on the edge of Kildare stands an enormous statue of Brigid, holding her crozier, symbolic of her rank as Bishop in the early Celtic Christian Church. Visiting the centre just before Brighid’s Feast last year, I was drawn to approach this statue, so tall that I had to bend my head back in order to see her face.

I ought to have been overwhelmed, but I was not. I sensed that the woman in whose honour this statue had been created held the wisdom I needed for the next phase of my spiritual journey. I trusted she would have an answer to my question, “Where do I go now? What must I do?”

Statue of Brigid at Solas Bhride

I wait in silence, hearing nothing. I begin to fear there will be no response. Suddenly clear soundless words form themselves deep within me:

“Stay on your path. Follow your call. Go forward. Don’t look back.”

It is then that I notice her fingers, lifted in a Bishop’s blessing, gesturing to my left, the feminine side….

Looking back now to that moment, I see it as the beginning of a deepening relationship with Brigid, the moment when I recognized her as an archetype for my life, for my work of preparing for the rebirth of the Feminine Divine.

As we prepare to explore this third and final segment of Kate Fitzpatrick’s writings on “Cosmic Brigid”, it may be enlightening to look at the concept of Archetype. Carl Jung taught that archetypes are an expression of the collective unconscious.

Jean Houston has written extensively on archetypes, assisting her students to identify the ones who can best support their own coming to wholeness, and assist them in fulfilling their personal calling. Jean teaches that archetypes are “the primal patterns from which you derive your sense of Essence and existence. Quintessentially, archetypes are about relationship. We might think of them as greater Presences which stand behind and inform the personal images of many individuals and influence our very perception of life.”  

Far from being rigid constructs carried over from a distant past, archetypes are fluid, capable of growing, changing, taking on new qualities required for an evolving reality. In Jean’s words: “Always, such beings ask to be seen in new and fresh ways – they ask to grow into the energy and needs of individuals and of the times…. today a new order of archetypes is rising to match the swiftly changing situations we now face. It is our privilege and our particular challenge to witness and assist a new story coming into time.”

A Higher Light of Brigid

by Kate Fitzpatrick

In the 2 years of 2011- 2013, I returned again to work with Brigid and Serpent and I was linking with the significant universal energy shift predicted to happen in 2012. Out of this reflection and journeying came an understanding of Brigid as ‘Cosmic Brigid’ in a far-reaching way. In the myth that was then weaving, it was Brigid’s light that could connect us with the Divine Feminine coming to birth in the cosmos as part of the 2012 alignment. The ancient energies of the Tuatha Dé Danann were always linked to the stars and to cosmic light. This ‘cosmic’ link with Brigid has never been lost and Brigid as spiritual midwife can support the birth of new light into the world and help to ground it safely where it can be used for spiritual development of the human race. I also knew that the higher evolved ‘Serpent’ energy we had been working with in 2000 is ‘Serpent in the Heart’.

In 2013, at Imbolc, I gave  a talk at the Navan Centre in County Armagh that was pulling together these new ideas and I called the presentation: ‘A Higher Light of Brigid’. This extract below summarises the evening where a new energy of Brigid was tangibly felt:

On Friday, 8 February 2013, an audience of some forty people have gathered at Emain Macha in County Armagh to listen to a presentation of the stories of Brigid, together with music, songs and poems. Brigid’s presence is tangible in our midst. Carrying her spirit on the wind, Brigid, Celtic Mother Goddess and Saint, brings to all who might receive her light the qualities of truth, clarity, creativity and healing. Tonight, we dare to call her ‘Cosmic Brigid’ and ask her to bring in an even higher light than heretofore. One that is linked to the sun and the moon and the stars, to all of the heavens above us.

That evening was the naming of Brigid as Cosmic Brigid. And it was a year later that I went to the Brigid of Faughart festival in Dundalk and presented the talk on ‘Cosmic Brigid’. This idea continues in my awareness today as we move onwards in our awakening of the Feminine spirit and witnessing its influence as it filters in to society and is changing our perspectives about women and roles and power.

New paradigms are being born and old, outdated patterns of spirituality are being shed. The idea of ritual and ceremony is still a potent way to link the cosmic energies with the land – thus blessing it and clearing it. The powers of Serpent energy, Feminine light and Cosmic Brigid to assist with this are, I believe, real.

We are linking across universal truths. In Ireland we hold and awaken our indigenous spirituality and we are no longer a separate island but part of a newly emerging world culture of indigenous spiritual potential that is currently giving birth to a healed Feminine Light.

I am knowing Serpent to have risen. From the centre of the Earth she came in Fire. Across the land she came in Water. I know her to have moved up through my body from the below to the above and be transformed in the love of the Heart.

Kate Fitzpatrick

February 2019

Kate Fitzpatrick is the author of Macha’s Twins, A Spiritual Journey with the Celtic Horse Goddess. She is currently writing a book about her experiences of shamanic work with the evolving roles of Brigid saint and Goddess.

Her e mail is katefitzpatrick2@gmail.com

Cosmic Brigid Part Two

Brigid as Serpent Goddess   by Kate Fitzpatrick

As we go deeper with Kate Fitzpatrick’s writings on “Cosmic Brigid” we explore Kate’s experience of a vision quest that led to her work with the Serpent power in the energy fields of Ireland. Because I knew very little about the symbolism of the serpent or of Brigid’s relationship with it, I began with Google. There I found that serpents and snakes are associated with fertility and rebirth, representing a “creative life force”. Snakes slough off their old skins, allowing a new skin to emerge from underneath. This is seen as a kind of rebirth, symbolic of  transformation, healing, renewal and even immortality.

But what of Brigid and serpents or snakes? Google responded with an article written by Feminist Thealogian Carol P. Christ on the symbols of Imbolc.

Here is an excerpt: Imbloc marked the day that cows and ewes give birth and begin to produce milk.  It was also said to be the day when hibernating snakes (like groundhogs) first come out of their holes…. a sure sign that the processes of transformation will continue and warmer days will not be far off.  As Marija Gimbutas says,“The awakening of the snakes meant the awakening of all of nature, the beginning of the life of the new year.”

St. Brigid’s male counterpart, St. Patrick, was said to have driven all of the snakes out of Ireland.  This legend reiterates the Biblical association of snakes with evil and temptation.  In Old Europe snakes were symbols of life and regeneration….In driving snakes out of Ireland, St. Patrick… was re-enacting the myth of slaying of the Goddess. 

Seeking images, I found Jo Jayson’s painting of Brigid with its stylized snake formed from Brigid’s braided hair: 

With this background, let us begin our journey down, down, down to where the treasures are in Kate Fitzpatick’s “Brigid as Serpent Goddess”:

Since 2000 there have been great changes happening in spiritual light and the Feminine. The patterns of cosmic energy began to shift in 1987 in what became known as ‘Harmonic Convergence’ (2). What this entailed was an increase in the vibration of the earth’s energy system. Along with this shifting of frequency, portals were opening and greater spiritual light was coming into the earth’s field.

Many people were tracking these changes and it was said that the new millenium of 2000 would be a portal also. Each four years after that – 2004, 2008 and right up to 2012 – would see another major shift in the measurable hertz (that is – in the earth’s vibration rate) and corresponding portal of energy opening. 

In 1999 I did a vision quest in Co Antrim, N. Ireland, and and as a result of this was shown to work with the power of ‘Serpent’ in the energy fields of Ireland. As I opened my heart and mind to find out what this meant I began in earnest doing shamanic journeys to follow this vision and carry out the work asked of me.

In March 2000 I decided to lead a workshop in November in Co Meath called ‘The Power of Serpent Rising’ . I felt the first resistance to the work on St Patrick’s day as the old saint’s spirit lashed out against the possibility of snakes being awakened again in Ireland. This work with Serpent was very powerful. In preparation for the workshop I found I had to sit in silence for long periods of time and hold absolute stillness and breathe very consciously. In this practice I felt the power of Serpent energy in my body as a vital force. She brought her gifts of healing, transformation and a sense of balance of all opposites.

In November 2000 four women and myself spent 5 days in Co Meath to do the workshop to awaken Serpent power and call her back to Ireland. At a birthing ceremony at Loughcrew, we experienced an awakening of the Serpent energy from the deep earth beneath us. In our myth, she poured out of the Stone Cairn and onto the rich green lands of Meath that surrounded us. On the final day we went to Tara – with the intention of grounding the energy of Serpent in the land as an act of sovereignity to the Feminine spirit  and we sent the power of Serpent out to the four corners of Ireland.

I hear the horses of the Tuatha Dé Danann thunder into Tara to witness the power of Serpent joining herself with the ancestors of this land. To Brigid in particular, she who was once known as Serpent Mother. I am knowing an ancient union has taken place that the Old ones have longed for. That Serpent would return from the depths of the Earth into the heart of this land and unite with the people of the Sidhe from whom she has been long separated.

Kate Fitzpatrick is the author of Macha’s Twins, A Spiritual Journey with the Celtic Horse Goddess. She is currently writing a book about her experiences of shamanic work with the evolving roles of Brigid saint and Goddess.

Her email is katefitzpatrick2@gmail.com

(next week: Cosmic Brigid Encore: Part Three “A Higher Light of Brigid”)

Cosmic Brigid Encore

February 6, 2019

Yesterday, I wakened from a dream:  My niece Kate is teaching a literature class where I am one of her high school students. We have just completed a reading of some story or novel. Kate announces that we will now move on to something new, no time to lose, curriculum to cover… But I feel a sense of loss so keen I have to speak up. “Why don’t we spend more time with what we’ve already read? Take it deeper? Go down, down, down. That’s where the treasures are.”

The dream ended there. I awoke, already planning to dismiss it as readily as Scrooge dismissed Marley’s visit as “a bit of underdone beef…”

Then I “got it”… Kate? My beloved niece, whose name reminded me of Kate Fitzpatrick and her astonishingly layered and profound “Cosmic Brigid”.

No, we won’t move on to something new. We need more time with “Cosmic Brigid.” So here it is as an encore. Like Scrooge’s three spirits in their three visits, we shall, over the next weeks, “take it deeper”… “go down, down, down…where the treasures are.”

Let’s begin with Kate’s introduction where she tells us of the twin interests that led her to explore Brigid’s deeper meaning:

“I am interested in tracking the changing role of Brigid over many centuries,” Kate writes,”and coupled with my interest in the cosmic shifts that are happening in our world today I asked: How is Brigid relevant today? and Can we call her a Cosmic Goddess?

third image of Brigid

An old Celtic blessing for a woman in childbirth called “The Moon of Four Quarters”repeats the number four in some of its lines.

Four corners of the bed

Four angels at her head

Mathew Mark Luke and John

God bless the bed that she lies on

New moon, New moon God bless me

God bless this house and family.

                                    (Michael Dames, Mythic Ireland, London: Thames and Hudson, 1992)

Kate cites this as an early example of how people of past centuries saw Brigid in her cosmic aspect. She writes:

Brigid has always held the role of being a cosmic Goddess. There are many areas of life that she governs. Her symbolism is vast and covers all elements – the power of transformation of the Fire, the healing qualities of Water and holy wells, and in the blessings of the Earth in the ritual prayers for crops for the year to come. The inspiration of her creativity given to poets and crafts people is the intuitive faculty associated with the element Air.

Fire, Water, Earth, Air: the elements of life honoured by indigenous peoples from ancient times. These cosmic elements associated with Brigid, both as goddess and saint, we have explored in past years in our reflections. But Kate invites us to go further. In her decades of facilitating spiritual journeys for healing and transformation using the myths of the Celtic Goddesses, Kate has worked to bring these ancient ones to life in the context of the present day. Here Kate’s writing becomes lyrical, passionate:

Let the myths live on. Let the myths change, transform and become a new thing as we work with them at profound depths. Become the myth. Listen with your heart and allow it to weave magic within you. Allow Brigid to be with you and to assist you in your own life. It is not theoretical knowledge but wisdom we are speaking of. It is the teaching of ages that we want to call in from the cosmic dimensions to help give meaning to our lives today. Let the women sing out the stories that the Goddesses will hear and they too will be changed in the process.

There is fire in her words. They lure us to respond: “Yes. Yes, that is what I also desire.” In my heart they resonate deeply and become woven with the truth I am coming to know: The Sacred Feminine Presence, by whatever name we call her, is an embodied presence, not some ideal or intellectual concept. Brigid, like Isis, like Sophia, like Mary, wants to be invited to enter our lives. She will not become us, nor will we ever become her. Yet we can offer her a place to live and grow, to reach out from within us in wisdom and love to other people, other living beings, to our planet in this time of its wounding, perhaps even its dying.

Kate asks: Can we allow the myths to change? Give permission for the music to evolve? And help Brigid to become an even bigger version of who she is? Archetype of the Divine Feminine in her full power, equality and wisdom. She is a guide to us such that we too can reach for the stars and have a model to find the map forward in this new age of Feminine wisdom returning. There is a higher light coming in to support us in these changing times. A living myth of cosmic dimensions is living through and beyond us. Will we lean into it to assist us in these challenging times?  

How do we respond?

Kate Fitzpatrick is the author of Macha’s Twins, A Spiritual Journey with the Celtic Horse Goddess. She is currently writing a book about her experiences of shamanic work with the evolving roles of Brigid saint and Goddess.

Her email is katefitzpatrick2@gmail.com

 

Cosmic Brigid

I have invited Irish author Kate Fitzpatrick to write this week’s piece on Brigid.

 Introduction

In February of 2013 Dolores Whelan invited me to give a presentation on Brigid as a part of the annual Brigid of Faughart Festival in Dundalk, Co Louth, Ireland. Upon reflection I called the talk ‘Cosmic Brigid’  as I felt it mirrored the cosmic shifts that were coming into force at the time. I am interested in tracking the changing role of Brigid over many centuries and coupled with my interest in the cosmic shifts that are happening in our world today I asked: How is Brigid relevant today? and Can we call her a Cosmic Goddess?

There are many aspects of Brigid covered in her folklore and in the myths. Michael Dames (1) in particular has outlined the cosmic role of the symbolism of Brigid. In his research he saw that the rituals performed for centuries by ordinary people at Imbolc when celebrating the feast of St Brigid had all cosmic symbolism and were four-fold blessings.

For example he cites a blessing called  ‘The Moon of Four Quarters’used in invoking Brigid for safe birth:

Song on the threshold:-

Four corners of the bed

Four angels at her head

Mathew Mark Luke and John

God bless the bed that she lies on

New moon, New moon God bless me

God bless this house and family. (1)

\And so Brigid has always held the role of being a cosmic Goddess. There are many areas of life that she governs. Her symbolism is vast and covers all elements – the power of transformation of the Fire, the healing qualities of Water and holy wells, and in the blessings of the Earth in the ritual prayers for crops for the year to come. The inspiration of her creativity given to poets and crafts people is the intuitive faculty associated with the element Air.

josephine wall image

image by Josephine Wall

I have worked with the Celtic Goddesses for almost thirty years now – in designing and facilitating spiritual journeys for healing and transformation. My work with the myths is to help bring them to life in a modern context. Let the myths live on. Let the myths change, transform and become a new thing as we work with them at profound depths. Become the myth. Listen with your heart and allow it to weave magic within you. Allow Brigid to be with you and to assist you in your own life. It is not theoretical knowledge but wisdom we are speaking of. It is the teaching of ages that we want to call in from the cosmic dimensions to help give meaning to our lives today. Let the women sing out the stories that the Goddesses will hear and they too will be changed in the process.

Can we allow the myths to change? Give permission for the music to evolve? And help Brigid to become an even bigger version of who she is? Archetype of the Divine Feminine in her full power, equality and wisdom. She is a guide to us such that we too can reach for the stars and have a model to find the map forward in this new age of Feminine wisdom returning. There is a higher light coming in to support us in these changing times. A living myth of cosmic dimensions is living through and beyond us. Will we lean into it to assist us in these challenging times?

Brigid as Serpent Goddess.

Since 2000 there have been great changes happening in spiritual light and the Feminine. The patterns of cosmic energy began to shift in 1987 in what became known as ‘Harmonic Convergence’ (2). What this entailed was an increase in the vibration of the earth’s energy system. Along with this shifting of frequency, portals were opening and greater spiritual light was coming into the earth’s field.

Many people were tracking these changes and it was said that the new millenium of 2000 would be a portal also. Each four years after that – 2004, 2008 and right up to 2012 – would see another major shift in the measurable hertz (that is – in the earth’s vibration rate) and corresponding portal of energy opening.

In 1999 I did a vision quest in Co Antrim, N. Ireland, and and as a result of this was shown to work with the power of ‘Serpent’ in the energy fields of Ireland. As I opened my heart and mind to find out what this meant I began in earnest doing shamanic journeys to follow this vision and carry out the work asked of me.

In March 2000 I decided to lead a workshop in November in Co Meath called ‘The Power of Serpent Rising’ . I felt the first resistance to the work on St Patrick’s day as the old saint’s spirit lashed out against the possibility of snakes being awakened again in Ireland. This work with Serpent was very powerful. In preparation for the workshop I found I had to sit in silence for long periods of time and hold absolute stillness and breathe very consciously. In this practice I felt the power of Serpent energy in my body as a vital force. She brought her gifts of healing, transformation and a sense of balance of all opposites. I entered the void and just sat in it. Often there were no images – just an awareness of body energy. The stillness was profound however – it was like the silence of Stone. I trusted the ancient priestess spirits who came to guide the work with Serpent. Their connection to Brigid as an archetypal feminine energy started to show itself. In my whole being I glimpsed the cosmic dimensions of the ancient stone alignments of Ireland and their eternal mythic links to the Tuathe Dé Danann.

In November 2000 four women and myself spent 5 days in County Meath to do the workshop to awaken Serpent power and call her back to Ireland. At a birthing ceremony at Loughcrew, we experienced an awakening of the Serpent energy from the deep earth beneath us. In our myth, she poured out of the Stone Cairn and onto the rich green lands of Meath that surrounded us. On the final day we went to Tara – with the intention of grounding the energy of Serpent in the land as an act of sovereignity to the Feminine spirit  and we sent the power of Serpent out to the four corners of Ireland.

Tara_3_Hill[1]

Hill of Tara

I hear the horses of the Tuatha Dé Danann thunder into Tara to witness the power of Serpent joining herself with the ancestors of this land. To Brigid in particular, she who was once known as Serpent Mother. I am knowing an ancient union has taken place that the Old ones have longed for. That Serpent would return from the depths of the Earth into the heart of this land and unite with the people of the Sidhe from whom she has been long separated.

 A Higher Light of Brigid

In the 2 years of 2011- 2013, I returned again to work with Brigid and Serpent and I was linking with the significant universal energy shift predicted to happen in 2012. Out of this reflection and journeying came an understanding of Brigid as ‘Cosmic Brigid’ in a far-reaching way. In the myth that was then weaving, it was Brigid’s light that could connect us with the Divine Feminine coming to birth in the cosmos as part of the 2012 alignment. The ancient energies of the Tuatha Dé Danann were always linked to the stars and to cosmic light. This ‘cosmic’ link with Brigid has never been lost and Brigid as spiritual midwife can support the birth of new light into the world and help to ground it safely where it can be used for spiritual development of the human race. I also knew that the higher evolved ‘Serpent’ energy we had been working with in 2000 is ‘Serpent in the Heart’.

In 2013, at Imbolc, I gave  a talk at the Navan Centre in County Armagh that was pulling together these new ideas and I called the presentation: ‘A Higher Light of Brigid’. This extract below summarises the evening where a new energy of Brigid was tangibly felt:

On Friday, 8 February 2013, an audience of some forty people have gathered at Emain Macha in County Armagh to listen to a presentation of the stories of Brigid, together with music, songs and poems. Brigid’s presence is tangible in our midst. Carrying her spirit on the wind, Brigid, Celtic Mother Goddess and Saint, brings to all who might receive her light the qualities of truth, clarity, creativity and healing. Tonight, we dare to call her ‘Cosmic Brigid’ and ask her to bring in an even higher light than heretofore. One that is linked to the sun and the moon and the stars, to all of the heavens above us.

That evening was the naming of Brigid as Cosmic Brigid. And it was a year later that I went to the Brigid of Faughart festival in Dundalk and presented the talk on ‘Cosmic Brigid’. This idea continues in my awareness today as we move onwards in our awakening of the Feminine spirit and witnessing its influence as it filters in to society and is changing our perspectives about women and roles and power.

New paradigms are being born and old, outdated patterns of spirituality are being shed. The idea of ritual and ceremony is still a potent way to link the cosmic energies with the land – thus blessing it and clearing it. The powers of Serpent energy, Feminine light and Cosmic Brigid to assist with this are, I believe, real.

We are linking across universal truths. In Ireland we hold and awaken our indigenous spirituality and we are no longer a separate island but part of a newly emerging world culture of indigenous spiritual potential that is currently giving birth to a healed Feminine Light.

I am knowing Serpent to have risen. From the centre of the Earth she came in Fire. Across the land she came in Water. I know her to have moved up through my body from the below to the above and be transformed in the love of the Heart.

Kate Fitzpatrick  January 2019

References

  1. M Dames, Mythic Ireland, London: Thames and Hudson, 1992
  2. The Harmonic Convergence is the name given to one of the world’s first globally synchronized meditation events, which occurred on August 16–17, 1987. This event also closely coincided with an exceptional alignment of planets in the Solar System.

 Kate Fitzpatrick is the author of Macha’s Twins, A Spiritual Journey with the Celtic Horse Goddess. She is currently writing a book about her experiences of shamanic work with the evolving roles of Brigid saint and Goddess.

Her e mail is katefitzpatrick2@gmail.com

Brigid:Celtic Face of the Sacred Feminine

Ireland is a land of story. The stories woven through and around Brigid’s life are interlaced with the stories of the Ancient Goddess Brigid so that the two have become one sacred archetypal presence. This is best illustrated in words overheard a few years ago at a ceremony at Brigid’s Well in Kildare: “Sure and wasn’t she a goddess before ever she was a saint.”

Last winter I was staying in the home of Dolores Whelan for a week of festivities marking Brigid’s Feast. Dolores, who is my primary teacher in the ways of Brigid, showed me the hill of Faughart, clearly visible from her upper story window… I had the joy of being present at the Oratory on February 1st, Brigid’s Day, for a Ritual of Music and Readings.

Here is the story Dolores tells of coming to know Brigid:

“Brigid of Faughart – Wise Guide for Modern Soul Seekers”

Faughart, near Dundalk Co. Louth, Ireland is an ancient place filled with a history that is both gentle and fierce. It is a place associated with battles, boundaries and travel. The Sli Midhluachra, one of the 5 ancient roads of Ireland, runs through the hill of Faughart on its way from the Hill of Tara to Armagh and then to the north coast of Ireland, making it an strategically important place.

However, Faughart is also a place of deep peace, tranquility, beauty and healing, being associated from ancient times with Brigid, Pre-Christian Goddess and Christian Saint. Brigid holds the energy of the Divine Feminine within the Celtic Spiritual tradition. Faughart is the place associated with Brigid, the compassionate woman who heals, advises and nurtures all who come to her in times of need.

People are drawn to her shrine at Faughart because of the deep peace they experience there. Brigid’s peaceful presence can be experienced in this landscape where the ancient beech trees radiate old knowledge and hold a compassionate space for us all.

20180201Faughart Oratory

Brigid’s Oratory at Faughart on February 1, 2018

On La feile Bhride (Feb 1st) people come in their multitudes! On this special day the shrine at Faughart is thronged with pilgrims who come to invoke Brigid’s blessing on their emerging lives. Brigid is associated with springtime and new life emerging. She is the one who “breathes life into the mouth of dead winter.”

20180201 faughart well and stream

stream on the oratory grounds with pilgirms arriving (upper right)

I first went to Faughart in 1992 and was amazed by the beautiful energy present there. At that time, I had begun to study the Celtic spiritual tradition, something from which I and so many other people had been disconnected over many centuries. My quest at that time and since then has been to recover some of the riches and wisdom of that ancient tradition. And to ask the question:  “How could this wisdom be integrated into the lives of us modern humans in ways which would create a more balanced and peaceful life for all of the beings on planet Earth”?

While at Faughart in 1992 something deep and ancient stirred in my heart and I have been on a journey with Brigid ever since. In 1993 I went to The Brigid Festival in Kildare, organised by Mary Minehan, Phil O’Shea, and Rita Minehan (Solas Bhride). At this festival these women, in a daring Brigid-like action, re-kindled the flame of Brigid in Kildare. The flame of Brigid had been quenched at the time of the suppressions of the monasteries around the 12th century.

20180129 Bhrigid Well Kildare

Brigid’s Well site near Kildare

As this took place an ancient part of my soul understood the significance of this prophetic act. My journey into the Celtic spiritual tradition changed and evolved over time, becoming a deeply significant part of my life’s purpose.

It is said that from the moment Brigid learned to know God that her mind remained ever focused on God/Divine. This allowed her to remain connected to God and the heavens while living on the earthly plane. Her great power of manifestation was a result of this ability to be aligned heaven to earth. The strong connection between her inner and outer worlds allowed her to focus her energy onto a particular intention so clearly as to ensure its manifestation in the physical world.

Brigid had the capacity to bring forth new life, to nourish, to create plenty in the crops or an abundance of the milk from cows, and to manifest or create ex nihilo. This gift reflected the true abundance and prosperity that was present in the society she created, a society living in right relationship with the land. Her life and work thrived due to her deep trust in life and because there was a total absence of fear within her.

Slowly, I began to understand that Brigid, the Pre-Christian Goddess and Celtic Christian saint who lived in the 5th Century in Faughart and Kildare, who embodied wonderful qualities of compassion, courage, independence and spiritual strength was not only a historical figure! I realised that those energies and qualities exemplified by her in her lifetime are still alive in the world and available to me and to all humanity. What a gift it was to realise this! And so the task became how could I access those qualities in myself, embrace them and use them to challenge the dominant thinking of our culture and become like Brigid, a catalyst for change in society.

Brigid challenges each of us to have that same courage; to live our lives with the passion and commitment that comes from trusting our own inner truth and living the integrity of our unique soul journey. She invites us, like her, to breathe life into the mouth of dead winter everywhere we find it in ourselves and in our society. She represents for me the spiritual warrior energy reflected in this ancient triad: “The eye to see what is, the heart to feel what is, and the courage that dares to follow.” Dolores T Whelan (www.doloreswhelan.ie)

Women’s Christmas

home another wayIn her Retreat for Women’s Chrismas 2019, Jan Richarsdon writes:

There is a custom, rooted in Ireland, of celebrating Epiphany (January 6, which brings the Christmas season to a close) as Women’s Christmas. Called Nollaig na mBan in Irish, Women’s Christmas originated as a day when the women, who often carried the domestic responsibilities all year, took Epiphany as an occasion to celebrate together at the end of the holidays, leaving hearth and home to the men for a few hours. Celebrated particularly in County Cork and County Kerry, the tradition is enjoying a revival… As the Christmas season ends, this is an occasion both to celebrate with friends and also to spend time in reflection before diving into the responsibilities of this new year.

 

Constellation by Jan Richardson

A Blessing for Women’s Christmas

Consider that the heart

holds its own constellation.

Consider that it has

a secret chamber

radiant with unspent light.

Consider this when you cannot find

that one star, that dream

that compels you to the road.

When every last thing seems

to have disappeared into dark,

consider that you cannot always know

how you bear this brightness

but that it holds you

and is not wasted

or lost.

See how we share this sky,

how it stretches above us

beyond every border,

how every day

turns each of us

in steady revolution

through morning, night,

morning again.

 

Or think of it like this:

that every heart is its own voyage,

sending its vessels out,

drawing them back again,

never by the same way they went

but still somehow making for

home, that place

that shimmers now in welcome

with all the gathered light

you had thought

you could not see.

Consider what helps you put the pieces of your life together: the experiences you carry, the scraps of your story, the fragments that seem jagged and painful as well as those that you think of as beautiful. What response—in words, in images, in prayer, in movement, in stillness, in conversation, in solitude—helps you recognize and honor the pieces and put them together in a new way, making your path as you go?

 

 

 

 

 

 

 

 

 

 

 

Epiphany of Sophia

A cold coming we had of it,

Just the worst time of the year

For a journey, and such a long journey:

The ways deep and the weather sharp,

The very dead of winter.

(T.S. Eliot “The Journey of the Magi”)

The Christmas Story holds an allurement for the human heart that never seems to fade. It is deceptively simple in its plot and characters: a young couple, exhausted, make a long journey by decree of a far-off Emperor. Unable to find lodgings in an inn, they take shelter in a stable, warmed by the breath of animals. And there the young woman gives birth to a son. They are visited by shepherds who have been minding their flocks in the fields nearby. Suddenly the story takes on mystery: these shepherds tell a tale of wonder: angels have appeared in the fields singing to them of the child’s birth, urging them to go to find him….

And then, sometime afterwards, a trio of guests arrives. These are men of royal bearing from the Far East, and they tell a stranger tale: “We have seen his star in the East and have come to pay him homage.” Opening their bundles, they lay gifts of gold, frankincense and myrrh before the Child. The story adds this line: “As for Mary, she treasured all these things and pondered them in her heart.” (Luke 2:19)

 

images

As with so many ancient powerful tales, the truth of this story is within, and our hearts recognize its truth without having to seek proof of external elements. Great myths, like the dreams that sometimes appear in our sleep, carry treasures that we can unpack for ourselves, as we ponder them in our hearts. To do this, we must enter into the tale, find ourselves within the story, experience it as though it were happening now with us part of the tale.

In “The Journey of the Magi”, the poet T.S. Eliot offers us an intimate look within the hearts of these three mythical Eastern Kings, describing their journey in the “very dead of winter.”

Where might we find ourselves today within their part of the Christmas Story? For those of us now in the icy grip of a North American winter, the weather is familiar, as are the hazards of travel at “the worst time of the year.” If our December journeys were made to celebrate the Feast of Christmas with family and friends, we might say even our purpose is aligned with theirs…. But let’s go deeper.

Before the Feast of Epiphany, I happened to wake in the deep heart of the night. Some sound drew me to my window. Looking out, I saw a starlit sky shimmering with such brilliance in the absence of moonlight or city glare that my breath stopped in pure wonder. Though I could recognize Orion’s belt and the Big Dipper, the uncountable number of bright stars made me ask HOW those ancient travellers identified the one they were meant to follow….

And that question has become my own question: the one so many of us are asking at this crucial time in our planet’s history when there are so many paths opening, so many possible routes…

Somewhere in the Universe my question was heard. Since then, stars have been separating out from the overall pattern, placing themselves in my path. I spent much of January 6th, Feast of the Epiphany, recording these gifts of light:

By chance, on Friday, I had come across these words of Joseph Campbell:

If you are going to act on the basis of what you know, you cannot just hold onto your knowledge. You have to translate it into a movement.

That same evening, on CBC radio, I heard an interview with a researcher and teacher of English Literature at an Independent University in Barcelona. She has just received a two million euro grant to study forgotten writings of women from past centuries. Asked about emerging themes, she said the writings “demonstrate a very keen understanding and search for spiritual meaning in life”: Why are we here? What is our relationship to divinity? The women writers were convinced of the connection between their life and spirituality. “They have an understanding of spirituality which is very intimate.”

Joseph Campbell’s words stayed with me sparking ideas, raising questions:

“What is the knowing I act on?” The answer came that we each carry within us a guiding star, as does all that exists in the universe (guided as Dante says by the Love that moves the sun and all the other stars). Our task is to learn to recognize and follow this inner star. This requires time, intention, deep listening and grace.

I knew with greater clarity that this is the purpose of my work: assisting people to find and follow that inner star within them. For my own journey, guidance has come through a deepened relationship with a Sacred Presence, a true co-creative partner in all that I do. This mysterious Friend is an aspect of the Sacred Feminine, the Sophia Presence of the Hebrew Scriptures. In dialogue with her, I have been shown the pathways to choose. This story is still unfolding for me, and it is my deep desire to invite others to find their own Star within and to follow it into joy and wisdom.

We must follow it with courage as well for Eliot’s poem has a less-often quoted ending:

But set down

This set down

This: were we lead all that way for

Birth or Death? There was Birth, certainly,

We had evidence and no doubt. I had seen birth and

death,

But had thought they were different: this Birth was

Hard and bitter agony for us, like Death, our death.

We returned to our places, these Kingdoms,

But no longer at ease here, in the old dispensation,

With an alien people, clutching their gods.

I should be glad of another death.

Yes, we must be prepared for radical change on our journey, for loss of comfort

“in the old dispensation”.

From the glimpse I have had so far of the journey to new life, I promise you it is worth the cost.

 

 

What is our role in the Christmas Story?

As children we may have taken part in the “Nativity Play”. Festooned with cardboard wings and glitter, we may have played the angels, or in our father’s old bathrobe, hitched up with a rope belt, taken our part as shepherds. If we were judged to be wholly lacking in dramatic gifts, we may have been cast as a palm tree. Secretly most little girls longed to play Mary, though the part usually required both an angelic expression and a cascade of golden ringlets thus disqualifying a child with red braids, freckles and a taste for mischief…

Our child’s heart quickly learned not to aspire to dreams beyond our reach.

And yet the Christmas Story continues to carry its own enchantment. Year after year we enter it, welcoming its familiar storylines, greeting its supportive cast of shining angels, stumbling shepherds, overburdened innkeepers, royal camel-driving Wise Ones, with affection.

Each year we experience something more. As with all great archetypal tales, what we bring to the listening becomes part of the story. No other story holds this power of transmutation, this gift of shape-shifting into what each of us most needs to hear… this capacity to take us beyond ordinary time into mythic time where we ourselves become part of a greater story.

As Jean Houston describes it in her book Godseed:

In the telling and the taking of the myth, you leave behind your usual time and are symbolically and psychologically projected into Great Time, into a paradoxical moment that cannot be measured because it has no duration. There is a breach in time and in the surrounding world. The inner psyche opens and a passage to the possible human is revealed. (p.33)

In this sacred experience of Great Time, we recognize that we are living the Christmas Story in our own time on this planet. We do not have to imagine the displacement, the discomfort, the life-endangering journeys resulting from the call of the Roman Emperor Caesar Augustus that a census of the whole world be taken and people must travel to their own towns to be counted… Today’s emperors initiate through their inhumane policies a huge migration of people away from their home towns and countries with appalling results in human suffering.

We live in a time of immense longing for a more humane and life-enhancing world… as a young songwriter reflected: giving a Christmas meal to the hungry is a lovely gesture, but in a better world, the hungry would be fed every day….

Christmas is about yearning for something to come into the world,” Jean Houston believes. “It’s the story of the birth of love, of hope, of a Holy Child in huge danger of being destroyed, bringing a new order of possibility into the world, needing to be protected and nurtured so it may grow into a free and luminous, numinous being.”   

In the midst of the suffering across the planet that is reported to us hourly in words and pictures, the Universe invites us to play the role to which we may once have aspired: to be a bearer of new life for a world that hungers for so much.

The Universe invites each of us to play the role of Mary (golden curls not required).

Here is how John O’Donohue imagines that invitation:

Cast from afar before the stones were born

And rain had rinsed the darkness for colour,

The words have waited for the hunger in her

To become the silence where they could form.

 The day’s last light frames her by the window,

A young woman with distance in her gaze,

She could never imagine the surprise

That is hovering over her life now.

The sentence awakens like a raven,

Fluttering and dark, opening her heart

To nest the voice that first whispered the earth

From dream into wind, stone, sky and ocean.

She offers to mother the shadow’s child;

Her untouched life becoming wild inside.

Jean Houston encourages us to take this invitation to heart:

Just think of the promise, the potential, the divinity in you,

which you have probably disowned over and over again

because it wasn’t logical, because it didn’t jibe,

because it was terribly inconvenient (it always is),

because it didn’t fit conventional reality,

because… because… because….

What could be more embarrassing than finding yourself pregnant with the Holy Spirit?

It’s a very eccentric, inconvenient thing to have happen.

What are your “becauses”?,

the reasons that you disowned your divine potential,

your divine conceptions.

(“because I felt unworthy…” “because of what people would say…” ) Godseed p. 38

This Christmas, as we listen once again to the story’s unfolding, let us see ourselves as Mary, guided by John O’Donohue’s Visualization:

The Nativity

No man reaches where the moon touches a woman.

Even the moon leaves her when she opens

Deeper into the ripple in her womb

That encircles dark to become flesh and bone.

Someone is coming ashore inside her.

A face deciphers itself from water

And she curves around the gathering wave,

Opening to offer the life it craves.

In a corner stall of pilgrim strangers,

She falls and heaves, holding a tide of tears.

A red wire of pain feeds through every vein

Until night unweaves and the child reaches dawn.

Outside each other now, she sees him first.

Flesh of her flesh, her dreamt son safe on earth.

John O’Donohue (Connemara Blues

Doubleday, Great Britain, 2000; Bantam Books, 2001)

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awakening to the sacred feminine presence in our lives