I long for You so much

I follow barefoot Your frozen tracks

That are high in the mountains

That I know are years old.

I long for You so much

I have even begun to travel

Where I have never been before.
(in Hafiz The Subject Tonight Is Love trans. Daniel Ladinsky)

As we set out to find Sophia, the missing feminine aspect of the Holy, we prepare for a long journey, following tracks that are millennia old. We learn to be adept at time travel, at exploring deep dusty caverns of pre-history, at unravelling, then reweaving, threads of ancient stories.

Sophia is nowhere precisely, yet everywhere subtly. Mythologies of many cultures abound with tales of her presence, her power, her sufferings, her diminishments. Old fairy tales hold glimpses of her that are both tender and terrifying. We will need to look into sacred wells, old ritual sites, ruined temples and sanctuaries. We will carefully examine fragments of poetry, shards of pottery, pieces of drums, tiny perfect feminine figures carved of stone, buried in the depths of the earth.

We are living today in the time of the great recovery. What has been hidden is being revealed to us. Scholars of ancient civilizations are writing of their findings: the traces of a sacred feminine presence within the stories, myths and ritual practices of people long vanished.

In “A Brief History of The Celts”, Peter Berresford Ellis writes of the Great Mother Goddess of the Ancient Celts, revealing the connection between the Celtic Goddess and the great rivers of Ireland, a sacred connection also found in India’s mythology:
“… the Celts believed their origins lay with the mother goddess Danu, ‘divine waters from heaven’. She fell from heaven and her waters created the Danuvius (Danube), having watered the sacred oak tree Bile. From there sprang the pantheon of the gods who are known as the Tuatha de Danaan (Children of Danu) in Irish and the Children of Don in Welsh myths.” (p. 162)
“The story associated with the Danuvius, which is arguably the first great Celtic sacred river, has similarities with myths about the Boyne, from the goddess Boann, and the Shannon, from the goddess Sionan in Ireland. More important, it bears a close resemblance to the Hindu goddess Ganga, deity of the Ganges. Both Celts and Hindus worshipped in the sacred rivers and made votive offerings there. In the Vedic myth of Danu, for she exists as a deity in Hindu Mythology as well, the goddess appears in the famous Deluge story called “The Churning of the Ocean.” (p.7)
Celtic writer Jen Delyth writes further of the goddess Anu, also known as Danu and Aine:

“An ancient figure, venerated under many names, she is known as the womb of life. She is the spark and vitality of life. She is the seed of the sun in our veins. The Great Earth Mother is more ancient than the god of the Celtic Druids. She is the Mother whose breasts are the Paps of Anu in Ireland. Her hair is the wild waves, the golden corn. Her eyes are the shining stars, her belly the round tors or earth barrows from which we are born. Like the cat, the sow, the owl, she eats her young if they are sick or dying. She is the cycle of life, the turning of the seasons.”

In rivers, waves, and corn, in stars and earth barrows, in the very seasons of our land, this sacred presence is embodied, immersed, implanted in the universe, around, above, beneath, within us.

In “Women of the Celts”, Jean Markale offers an overview of the decline of the Sacred Feminine presence as the Jewish/Christian religions became dominant, but he also hints at how her presence survives:
“Within the patriarchal framework (goddesses) were often obscured, tarnished and deformed, and submerged into the depth of the unconscious. But they do still exist, if only in dormant state, and sometimes rise triumphantly to rock the supposedly immovable foundations of masculine society. The triumph of Yahweh and Christ was believed sanctified forever, but from behind them reappears the disturbing and desirable figure of the Virgin Mary with her unexpected names: Our Lady of the Water, Our Lady of the Nettles, Our Lady of the Briars,
Our Lady of the Mounds, Our Lady of the Pines. But in spite of the veneration accorded her over the centuries and the public declaration of successive dogmas related to Mary, the authorities of the Christian Church have always made her a secondary character, overshadowed and retiring, a model of what women ought to be. Now the pure and virginal servant of man, the wonderful mother who suffers all heroically, she is no longer the Great Goddess before whom the common herd of men would tremble, but Our Lady of the Night.”     (Jean Markale “Women of the Celts” p. 86)

Our Lady of the Night! What a lovely, appropriate name for the presence we seek, the One who has so many different names… yet is being rebirthed now in our time, from the “womb of this present darkness”.

The ways we are to seek her may seem arduous, but the starting place is deep within our souls.

As Hafiz hints in his poem, the search begins with our longing for her.