It is nearly two years since I began to write these weekly blogs about the Awakening of Sophia, the Sacred Feminine Presence. This awakening is happening in many different ways, in many different places around our planet, among people of many religious backgrounds as well as people who have no connection with any formal religion. The awakening is pervasive, subtle, invitational, gentle, powerful, loving, alluring… it slips the bonds of theology, psychology, sociology. It is too elusive for formal religions to catch hold of it, to define or tame it.
Yet for those who open their hearts to its call, for those who listen with trust, who begin to follow its gentle guidance, its winding pathways, this awakening is blossoming into a relationship of loving, co-creative partnership with a Sacred Presence. This presence has been known on our Earth for Millennia. Though she was forgotten for a time, she is returning in our time because we need her and she needs us. Her Time is Now.
Joseph Campbell, writing of the presence the Sacred Feminine, notes that:
By the time of the birth of Christ, there was an exchange, not only of goods, but also of beliefs, throughout the civilized world. The principal shrine of the Goddess at that time in the world of the Near East was Ephesus, now in Turkey, where her name and form were of Artemis; and it was there, in that city, in the Year of our Lord 431, that Mary was declared to be what the Goddess had been from before the first tick of time: Theotokos (Mother of God).
Campbell adds this compelling question:
And is it likely, do you think, after all her years and millennia of changing forms and conditions, that she is now unable to let her daughters know who they are? (in Goddesses :“Mysteries of the Feminine Divine” p. xxvi; Copyright Joseph Campbell Foundation, New World Library, Novato Calif. 2013)
It is time now for me to begin to share with you my own journey with this Sacred Feminine Presence. The startling overture came by way of a Journey to Egypt. Here is the story:
It is night. It is always night when a story is told. But this night is part of the story, envelops and transforms it, embraces the ending.
The room holds the darkness gently, the darkness holds the woman. The room watches her as she stands alone, holding in her outstretched hands a crown of mithril silver laced with emerald. The woman bows before the image of Isis, then places the crown on the head of the Queen of Earth and Heaven. The room does not see Isis or the silver shimmer of the crown. It sees only the woman. It has seen so many others come and go. The room sighs, feeling bored, unaware of the story, unimpressed with its quiet ending.
image of the Goddess Isis
To find the beginning, leave the dark room, go back three months, take the stairway to the left. On the second floor, follow the corridor signed “Sisters’ Residence”. Halfway along, on the left side, enter the room where a woman sits alone. It is years, decades, since she has lived in her community’s central house. The days and weeks before she can return to her quiet house by the river stretch before her like a featureless desert.
“I need an adventure,” she says aloud, and before the words have ceased to bounce in the room’s quiet, her eyes have found what she needs. On the shelf above her writing desk, sitting among the dozen volumes she has brought with her, is a book about Ancient Egypt, written by her guide and teacher, Jean Houston: The Passion of Isis and Osiris: Gateway to Transcendent Love . The woman reaches for the book, surprised by its weight in her hand, opens it. There is a soft sucking noise as all the air in the room vanishes and the light disappears.
The passageway is dark, the air thick with dust and something much older. The woman is aware of the need for caution, but she feels no fear. Someone is walking beside her and though she cannot see the face, she knows the voice of her guide who whispers, “Hurry. The storyteller is waiting.”
Amber light draws them forward into a small cave-like room. Some dozen others, children, women and men, are seated in a circle around a wizened woman robed entirely in red. The old one smiles as they enter, gesturing towards cushions on the floor.
The storyteller lifts her head, closes her eyes and begins to speak in a voice both intimate and eons away, as though she is reading a story painted on the walls of a royal tomb in Ancient Egypt. Her words fall like bright jewels upon the room’s silence.
There is at first only One, Atum, the Perfect One.
But Atum is lonely, and creates the story.
Atum makes Air and Wetness, Earth and Sky.
Geb, the Earth and Nut, the Sky become lovers.
Nut gives birth to Ra, the sun
and Thoth, the silver moon.
The guide whispers that they must leave now. “Write down all that you saw and heard and understood. In the morning, go outside while it is still dark. You must see the sunrise.”
Then she is gone and the woman steps out of the book, back to her room.
Next morning, the sky is still black as the woman walks outside. A suffused light swallows the darkness. The woman feels both expectant and unsure, as people must have felt as they waited for the dawn millennia ago. It has come before, but can she be certain it will come again? Light is embracing the earth, drawing trees, low bushes, the tall flowers into silhouette. Earth herself waits, as the woman waits, hopeful, patient. And then it comes, a sliver of fire in the eastern sky, a vermillion burning. The woman and the earth together move under its passionate presence. It fills their gaze with rose red rapture. This is Holy, the woman thinks, for the first time. She looks around the mist-soaked morning and wonders how anyone could despair, as she herself so often does.
She goes indoors, makes coffee, hurries to her room, climbs back into the book.
(to be continued)