Sophia in Egypt Twenty-Seven

The Great Pyramid


Though it is clearly visible across the wide expanse of sand, the Great Pyramid is too far from the Sphinx for a casual walk. We reboard the bus to travel to the place of our final Sacred Ritual in Egypt. Mohammed has arranged for our group to have this magnificent place to ourselves for the next two hours.

Up close to the Great Pyramid, all perspective is lost. I might be gazing upwards from the base of a mountain, its peak unseen. Except that this mountain has not grown up out of the earth but was placed upon it, block by block 4500 years ago. It is the largest building ever constructed, covering thirteen acres.

This pyramid functioned as an enormous sundial. Its shadow to the north, and its reflected sunlight to the south, accurately marked the annual dates of the solstices and the equinoxes. Once these weathered stones were young, fitted together with such precision that no breath could move between them, a seamless creation. Today, they are teeth worn down by time in the mouth of someone ancient of days. They are rounded, gaping. And they are not smiling.

Jean Houston leads us up a path that has been carved into the sides of this pyramid, with stone blocks for steps, crossing at an angle, leading into an entranceway. Later, I would see the analogy of entering a birth canal, climbing back up inside a womb. Now, I am aware only of being in a scarifyingly narrow stone passageway, drawing us upwards. The air is dusty, the light dim, the path morphing into an alarmingly steep tilt. Here we must bend our backs, lean forward to walk like ancestral apes to avoid the low ceiling. Our feet would surely slip, creating a dangerous domino effect on the people behind us, were it not for the placement of horizontal bars of wood, a ladder embedded in stone. At one point, we are invited to look down, down, down to our right, into a great carved hollow that is called the Queen’s Chamber. The climb is featureless, offering no indication of progress, no promise of soon reaching the end, no helpful wall maps that say You are here.

I feel tired, breathless, and wonder how my companions are managing. Soon I have energy only to concentrate on getting myself up, up, up into the highest chamber in the pyramid: the King’s Chamber.

Hope comes in song, as music drifts down towards us, at first only a faint chanting, increasing in volume and clarity as we climb towards our companions who are already within the chamber. Quite suddenly the passageway ends and I follow those ahead of me into a rectangular high-ceilinged room, as wide across and about half as long as the chapel at the Garrison Centre where we gather for Mystery School. Jean is leading the singing that I heard, leading the group in the sacred Egyptian chant of Sa, Sekhem, Sahu.

I join in, knowing now that singing activates the sacred space, remembering our resonant song in the tomb in the Valley of the Kings.Members of our group continue to come through the doorway, each finding a place to sit, backs resting against the stone walls, picking up the chant. As we sing, I gaze around the room. I am relieved to see the subtle glow of artificial lights, to hear the faint breath of an air exchange system. Without these amenities, it must have been a terrifying place for the ancient initiates. For this room was once a place of sacred ritual for Mystery School students. At one end of the room, to the right of the entrance way, a huge stone sarcophagus stands, open, waiting.

Jean and Peg explain the ritual. Each of us is invited to form a request, an inner desire, and then to approach the great sarcophagus. Two of our companions, Dwayne and Joan, will assist each of us to climb into the sarcophagus, creating a balance of masculine and feminine energies. We will lie there for a few moments, a ritual of passing through death, before rising, emerging into life. Unlike the ancient initiates, we will not spend a night in the coffin.


the Sarcophagus in the King’s Chamber made of red Aswan granite

(from Called to Egypt on the Back of the Wind by Anne Kathleen McLaughlin, Borealis Press, Ottawa, Canada, 2013) This book may be ordered online at

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