Whatever their ways,
they are all in love with you,
Each comes, by a path, to the Rose Garden
(This is the third Reflection based on the opening talk Anne Baring gave to Ubiquity University’s online course: “Madonna Rising” in August 2020. I am grateful to Anne Baring for making her lecture notes available to participants. Direct quotes are designated by quotation marks, or for longer sections, by the use of italics.)
The Feminine Face of the God-Head
In the mystical tradition of Judaism, the Shekinah or feminine face of the god-head is named as Cosmic Womb, Palace, Enclosure, Fountain, Apple Orchard and Mystical Garden of Eden. She is named as the architect of worlds, source or foundation of our world, also as the Radiance, Word or Glory of the unknowable ground or godhead.
Text after text uses sexual imagery and the imagery of light to describe how the ray which emanates from the unknowable ground enters into the womb—the Great Sea of Light—of the Celestial Mother and how she brings forth the male and female creative energies which, as two branches of the Tree of Life, are symbolically King and Queen, Son and Daughter. A third branch of the Tree descends directly down the centre, unifying and connecting the energies on either side…. The Heart centre of these three branches or pillars…is called Tiphareth.
As “the indwelling and active Holy Spirit”, the Shekinah is both “divine guide and immanent presence”. She it is who frees us from beliefs that separate us from our source, restoring the world to “union with the divine ground.” By bringing into being all that is ensouled by the divine source, “she generates the manifest world we know”, remaining here until “the whole creation is enfolded once again into its source.”
Kabbalism sees “the divine Mother-Father image…expressed as the male and female of all species”.
Humanity, female and male, is therefore the expression of the duality-in-unity of the god-head. The Shekinah is forever united with her beloved Spouse in the divine ground or heart of being and it is their union in the god-head that holds life in a constant state of coming into being. Yet she is also present—here with us—in the material reality of our world.
The sexual attraction between man and woman and the expression of true love between them is the enactment or reflection at this level of creation of the divine embrace at its heart that is enshrined in the cherished words of the Song of Songs: “I am my beloved’s and my beloved is mine.”(6:3) Human sexual relationship, enacted with love, mutual respect and joy, is a sacred ritual that is believed to maintain the ecstatic union of the divine pair.
Dwelling as divine presence in all that is, the Shekinah assures that “nothing is outside spirit.”
In the radiance of that invisible cosmic Sea of Light, everything is connected to everything else as through a luminous circulatory system. Moreover, the Shekinah is deeply devoted to what she has brought into being, as a mother is devoted to the well-being of her child. All life on earth, all levels and degrees of consciousness, all forms of what we see and name as “matter” are the creation of the primal fountain of Light, and are therefore an expression of divinity.
The colours associated with the Shekinah are blue and gold. She is the ground of the human soul, its “light body”, its “outer garment, the physical body, and its animating spirit or consciousness.” The Shekinah is “the holy presence of the ‘glory of God’ within everyone.”
We, all of us, moving from unconsciousness and ignorance of this radiant ground to awareness of and relationship with it, live in her being and grow under her power of attraction until we are reunited with the source, discovering ourselves to be what in essence we always were but did not know ourselves to be—sons and daughters of God, living expressions of divine spirit.
Like Isis, widowed, mourning, searching for her beloved Osiris, the Shekinah wears a black robe. This signifies “the darkness of the mystery which hides the glory of her Light.” This imagery “was carried forward to the Black Madonna.”
The imagery of Kabbalism may also be discerned in fairy tales. The forgotten image of the Divine Feminine, the veiled Shekinah appears as the Fairy God-mother who “presides over her daughter’s transformation from soot-blackened drudge to royal bride”.
Helena Bonham Carter as fairy godmother in the film “Cinderella”
Cinderella represents, as Harold Bayley suggests in The Lost Language of Symbolism, “the human soul as it moves from ’rags to riches’.”
Cinderella’s three splendid dresses, which could be equated with the “robe of glory” of certain kabbalist and gnostic texts, represent the soul’s luminous sheaths or subtle bodies, as dazzling as the light of moon, sun and stars.
Just as the soot-blackened girl in the fairy tale puts on her three glorious dresses to reveal herself as she truly is, so does the human soul don these “robes of glory” as she moves from the darkness of ignorance into the revelation of her true nature and parentage.