Category Archives: Anne Baring

entering the rose garden Part THree

Whatever their ways,

they are all in love with you,

Each comes, by a path, to the Rose Garden

Niyazi Misri

(This is the third Reflection based on the opening talk Anne Baring gave to Ubiquity University’s online course: “Madonna Rising” in August 2020. I am grateful to Anne Baring for making her lecture notes available to participants. Direct quotes are designated by quotation marks, or for longer sections, by the use of italics.)

The Feminine Face of the God-Head

In the mystical tradition of Judaism, the Shekinah or feminine face of the god-head is named as Cosmic Womb, Palace, Enclosure, Fountain, Apple Orchard and Mystical Garden of Eden. She is named as the architect of worlds, source or foundation of our world, also as the Radiance, Word or Glory of the unknowable ground or godhead.

Text after text uses sexual imagery and the imagery of light to describe how the ray which emanates from the unknowable ground enters into the womb—the Great Sea of Light—of the Celestial Mother and how she brings forth the male and female creative energies which, as two branches of the Tree of Life, are symbolically King and Queen, Son and Daughter. A third branch of the Tree descends directly down the centre, unifying and connecting the energies on either side…. The Heart centre of these three branches or pillars…is called Tiphareth.

As “the indwelling and active Holy Spirit”, the Shekinah is both “divine guide and immanent presence”. She it is who frees us from beliefs that separate us from our source, restoring the world to “union with the divine ground.” By bringing into being all that is ensouled by the divine source, “she generates the manifest world we know”, remaining here until “the whole creation is enfolded once again into its source.”

Kabbalism sees “the divine Mother-Father image…expressed as the male and female of all species”.

Humanity, female and male, is therefore the expression of the duality-in-unity of the god-head. The Shekinah is forever united with her beloved Spouse in the divine ground or heart of being and it is their union in the god-head that holds life in a constant state of coming into being. Yet she is also present—here with us—in the material reality of our world.

The sexual attraction between man and woman and the expression of true love between them is the enactment or reflection at this level of creation of the divine embrace at its heart that is enshrined in the cherished words of the Song of Songs: “I am my beloved’s and my beloved is mine.”(6:3)  Human sexual relationship, enacted with love, mutual respect and joy, is a sacred ritual that is believed to maintain the ecstatic union of the divine pair.

Dwelling as divine presence in all that is, the Shekinah assures that “nothing is outside spirit.”

In the radiance of that invisible cosmic Sea of Light, everything is connected to everything else as through a luminous circulatory system. Moreover, the Shekinah is deeply devoted to what she has brought into being, as a mother is devoted to the well-being of her child. All life on earth, all levels and degrees of consciousness, all forms of what we  see and name as “matter” are the creation of the primal fountain of Light, and are therefore an expression of divinity.

The colours associated with the Shekinah are blue and gold. She is the ground of the human soul, its “light body”, its “outer garment, the physical body, and its animating spirit or consciousness.” The Shekinah is “the holy presence of the ‘glory of God’ within everyone.”

We, all of us, moving from unconsciousness and ignorance of this radiant ground to awareness of and relationship with it, live in her being and grow under her power of attraction until we are reunited with the source, discovering ourselves to be what in essence we always were but did not know ourselves to be—sons and daughters of God, living expressions of divine spirit.

Like Isis, widowed, mourning, searching for her beloved Osiris, the Shekinah wears a black robe. This signifies “the darkness of the mystery which hides the glory of her Light.” This imagery “was carried forward to the Black Madonna.”

The imagery of Kabbalism may also be discerned in fairy tales. The forgotten image of the Divine Feminine, the veiled Shekinah appears as the Fairy God-mother who “presides over her daughter’s transformation from soot-blackened drudge to royal bride”.

Helena Bonham Carter as fairy godmother in the film “Cinderella”

Cinderella represents, as Harold Bayley suggests in The Lost Language of Symbolism, “the human soul as it moves from ’rags to riches’.”

Cinderella’s three splendid dresses, which could be equated with the “robe of glory” of certain kabbalist and gnostic texts, represent the soul’s luminous sheaths or subtle bodies, as dazzling as the light of moon, sun and stars.

Just as the soot-blackened girl in the fairy tale puts on her three glorious dresses to reveal herself as she truly is, so does the human soul don these “robes of glory” as she moves from the darkness of ignorance into the revelation of her true nature and parentage.

Entering the Rose Garden 2

Whatever their ways

they are all in love with you.

Each comes, by a path, to the Rose Garden

Niyazi Misri

 Anne Baring finds in the richness of Kabbalistic teachings and traditions, traces of the luminous period of the First Temple in Israel. Thanks to her generosity in making her lecture notes available to those who participated in Ubiquity University’s online program “Madonna Rises”, I have Anne Baring’s own words to rely on. Short quotes are in quotation marks, longer ones are shown in italics. 

Last week, we reflected on The Tree of Life as an image of the soul of the cosmos. “Every aspect of creation, both visible and invisible, is interconnected and interwoven with every other aspect.” In the Tree of Life there exists “one cosmic symphony”.

“Tree of Life” artwork by Y. Andino

The Tree of Life is no hierarchical descent from invisible to visible. Rather it is “an image of worlds nesting within worlds, dimensions within dimensions emanating…from within outwards…the tapestry of relationships which connect invisible spirit with the visible fabric of this world…. At the innermost level is the unknowable source or god-head,at the outermost the physical forms of matter.”

And who or where are we in this “one unified web of life: one energy, one spirit, one single cosmic entity” ?   

Anne Baring responds: “According to this Tradition, we are, each one of us, that life, that energy, that spirit.”

There is something still more wonderful: an intermediary between “the unknowable source” and “the physical forms of matter”:

The Shekinah

The Shekinah is the image of the Divine Feminine or the Feminine Face of God as it was conceived in this mystical tradition of Judaism. In the image and cosmology of the Shekinah, we encounter the most complete description of Divine Wisdom and the Holy Spirit as the indissoluble relationship between the two primary aspects of the god-head that have been lost or hidden for centuries.

The Shekinah- the feminine co-creator- is the Voice or Word of God, the Wisdom of God, the Glory of God,the Compassion of God, the Active Presence of God: intermediary between the mystery of the unknowable source or ground and this world of its ultimate manifestation.

The concept of the Shekinah as Divine Wisdom and Holy Spirit ….transmutes all creation, including the apparent insignificance and ordinariness of everyday life, into something to be loved, embraced, honoured and celebrated because it is the epiphany or shining forth of the divine intelligence and love that has brought it into being and dwells hidden within it.

The elimination of the image of the Great Mother took away from us the concept that “the whole of nature was ensouled with spirit and therefore sacred”. Through the millennia of Patriarchal religions we suffered the loss of our “age-old sense of participation in a Sacred Order.”

The Shekinah, named as Divine Wisdom and Holy Spirit- divinity present and active in the world-supplies the missing imagery of divine immanence which is absent from Judaism, Christianity and Islam. And this mystical tradition brings together heaven and earth, the divine and the human,in a coherent and seamless vision of their essential relationship.

How would the recovery of the Shekinah as the feminine aspect of the god-head, as Mother, Beloved, Sister and Bride transform our image of God? of Nature? of ourselves?

Anne Baring states that “the Shekinah gives woman what she has lacked throughout the last two thousand years in western civilization—a sacred image of the Divine Feminine that is reflected at the human level in herself.”

Yet in the ancient world Wisdom was always associated with the image of a Goddess: Inanna in Sumeria, Isis and Ma’at in Egypt, Athena in Greece… Anne Baring celebrates the recovery of these ancient images with the even greater richness of the Shekinah’s role in the web of Life:

The Bronze Age imagery of the Great Goddesses returns to life in the extraordinary beauty and power of the descriptions of the Shekinah, and in the gender endings of nouns which describe the feminine dimension of the divine. But the Divine Feminine is now defined as a limitless connecting web of life, as the invisible Soul of the Cosmos, as the intermediary between the unknowable god-head and life in this dimension. The Shekinah brings together heaven and earth, the invisible and visible dimensions of reality in a resplendent vision of their essential relationship and union.

Another aspect of this tradition preserves the image from the Bronze Age of the Sacred Marriage. Rather than a Father God there is a Mother-Father who are “one in their eternal embrace, one in their ground,one in their emanation, one in their ecstatic and continual act of creation through all the dimensions they bring into being and sustain.”

Anne Baring comments: From the perspective of divine immanence, there is no essential separation between spirit and nature or spirit and matter.  

And in a burst of poetic praise, adds: 

No other cosmology offers the same breath-taking vision in such exquisite poetic imagery of the union of male and female energies in the One that is both.

Not surprisingly, the kabbalists, in contemplating the mystery of this divine union, turned for inspiration to “The Song of Songs”.

THE BRIDE: Wine flowing straight to my Beloved,

as it runs on the lips of those who sleep.

I am my Beloved’s 

and his desire is for me.

Come my Beloved

let us go to the fields….

We will see if the vines are budding,

if their blossoms are opening,

if the pomegranate trees are in flower.

Then I shall give you

the gift of my love. 

(excerpt from The Song of Songs 7: 9-13 Jerusalem Bible)

Entering the Rose Garden

Entering the Rose Garden

Whatever their ways,

they are all in love with you,

Each comes, by a path, to the Rose Garden

Niyazi Misri

For seven days in mid-August, I spent time in an ancient Rose Garden, an imaginal space engineered by ZOOM, offered by Ubiquity University, peopled by scholars and archaeologists of the soul, dancers, storytellers, musicians, poets and mystics whose great task is recovering and offering to those who hunger for it, the knowledge and awareness of the Divine Feminine. This on-line program, whose over one hundred participants joined in from countries across the planet, was a blessed side effect of COVID which made Ubiquity’s fourteen-year tradition of a summer program in the Chartres Cathedral of France impossible this year. The program was called “Madonna Rising.” Its central image was the Mystical Rose, a title honouring the Sacred Feminine in ancient cultures, such as Egypt and Sumeria. Later, it was a title given to Mary, Mother of Jesus.  

On Day One we are greeted from her home in California by Banafsheh Sayyad, who over the following days would lead us in sacred dance, inviting us to open our lives to the Divine Feminine Presence. Banafsheh introduced the theme of Madonna Rising by offering a Prophecy from the Cherokee Nation:

“The bird of humanity has two great wings – a masculine wing and a feminine wing. The masculine wing has been fully extended for centuries, fully expressed, while the feminine wing in all of us has been truncated, not yet fully expressed – half extended. 
So the masculine wing in all of us has become over- muscular and over-developed and in fact violent and the bird of humanity has been flying in circles for hundreds and hundreds of years, held up only fully by the masculine wing that became over- muscular and violent. In the 21st century, however, something remarkable will happen. The feminine wing in all of us will fully extend and find its way to express and the masculine wing will relax in all of us and the bird of humanity will soar.”


Banafsheh lifted a rose from her desk and it appeared to move off- screen to be received by Anne Baring, seated in her home in England. In the first of her trilogy of presentations, Anne would begin to tell the tale of how the bird of humanity lost the power of gracious flight in its feminine wing.

Author of Dream of the Cosmos (Archive Publishing, Dorset, England, 2013) ;The Myth of the Goddess: Evolution of an Image, 1992) Anne delves for light in history, following paths not yet made, seeking the story that came before the story in pursuit of clarity about so much that has been lost to us.

Was there a story that preceded the 6th c. BCE Creation Story in the Book of Genesis of the Hebrew Bible? And if so, how was it lost? Here is what Anne’s research found:

I loved her more than health or beauty,

preferred her to the light,

since her radiance never sleeps.

(The Book of Wisdom, 7:10 Jerusalem Bible)

Solomon, to whom the Book of Wisdom is ascribed, built the First Temple in Jerusalem in the tenth century BCE. In the time of the First Temple, Israel had an ancient, shamanic, visionary tradition. Divine Wisdom was worshipped in this First Temple as the Goddess Asherah, the consort of Yahweh and the co-creator of the world with him. In this tradition the Tree of life was associated with Wisdom, Queen of Heaven.

Anne then told us how all this changed:

In 621 BC, in the reign of King Josiah, a powerful group of priests called Deuteronomists took control of the Temple….  The Deuteronomists had the statue of the Goddess Asherah and the great Serpent, image of her power to regenerate life, removed from the Temple and destroyed. Her Sacred Groves were cut down. All images of her were broken. The ancient shamanic rituals of the High Priest which had honoured and communed with the Queen of Heaven as Divine Wisdom and Holy Spirit were banished and replaced by new rituals based on obedience to Yahweh’s Law. The vital communion with the inner dimensions of reality was lost; the making of images was forbidden.

As I listened to this, I felt something inside me twist in pain. More even than the destruction of her images, the cutting down of the trees sacred to the Goddess wrenched my heart.

Anne spoke of the long-lasting effects of this rupture:

This is the crucially important time when I think it is possible to say that the whole foundation of Jewish and later Christian civilization became unbalanced. The Deuteronomists ensured the Yahweh was the sole Creator God. The Feminine co-creator, the Goddess Asherah, was eliminated. The Divine Feminine aspect of the god-head was banished from orthodox Judaism. The Deuteronomists went further: they demoted the Queen of Heaven – Mother of All Living – into the human figure of Eve, bestowing this title upon her. They created the Myth of the Fall in the Book of Genesis (2 & 3), with its message of sin, guilt and banishment from the Garden of Eden, severing the Tree of Life from its ancient association with the Queen of Heaven.

Anne Baring suggests that the “heritage seeds’’ of the First Temple’s teaching were somehow preserved in the Jewish traditions of Kabbalism:

It seems highly significant that one of the most important images of Kabbalism is the Tree of Life, which is a clear and wonderful concept describing the web of relationships which connect invisible spirit with the fabric of life in this world.  At the innermost level or dimension of reality is the unmanifest, unknowable Divine Ground; at the outermost the physical forms we call nature, body and matter.  Linking the two is the archetypal template of the Tree of Life—an inverted tree—whose branches grow from its roots in the divine ground and extend through many invisible worlds or dimensions until they reach this one.

Anne describes this cosmology as one where

Every aspect of creation, both visible and invisible, is interconnected and interwoven with every other aspect. All is one life, one cosmic symphony, one integrated whole. We participate, at this material level of creation, in the divine life which informs all these myriad levels of reality. Our human lives are therefore inseparable from the inner life of the Cosmos.

The Kabbalistic tradition is “vitally important” Anne says, because it celebrates…the indissoluble relationship and union between the feminine and masculine aspects of the god-head—a sacred union which the three Patriarchal religions have ignored or deliberately rejected.

I will end this excerpt from Anne Baring’s first talk with a statement she makes that is both stark and striking in its clarity:

If we want to understand the deep roots of our present environmental and spiritual crisis, we can find them in the loss of three important elements: the feminine image of spirit, the direct shamanic path of communion with spirit through visionary and shamanic experience, and the sacred marriage of the masculine and feminine aspect of the God-head and the Divine Ground. Each of these was an intrinsic aspect of the lost traditions and practices of the First Temple.

(to be continued)